Lucretia Borgia D Appleton and Company Ferdinand Gregorovius John Leslietr Garner 9781140353621 Books
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This book an EXACT reproduction of the original book published before 1923. This IS NOT an OCR?d book with strange characters, introduced typographical errors, and jumbled words. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.
Lucretia Borgia D Appleton and Company Ferdinand Gregorovius John Leslietr Garner 9781140353621 Books
Years ago I saw a series on Cesare Borgia that intrigued me greatly. The pomp and pageantry, the dissolute state of the papacy, the treachery and violenceof the time and the political intrigues arising from diverse interests attempting to unite various parts of the post classical world into some semblance of a nation
made for exciting entertainment. Among all of the players the only one whose name was well known to me, as probably to others, was that of Lucretia Borgia,
the famous "poisoner." A more recent television program, however, provided me with more information on this lady, and I discovered to my surprise that what
little I thought I knew about her was actually more myth than reality. It is often said that it is to the victors the privilege of writing history is given, and it was
obviously to the enemies of the Borgias that the privilege of writing Italian Renaissance history was given. Lucretia did not come out of it unscathed. Since
seeing this last production, I have looked for books about the Borgias, particularly Lucretia, but had not found one until Ferdinand Gregorovius' volume. The
book is old--the dedication was dictated March 9, 1874--but has apparently stood the test of time, as the first English publication by translator John Leslie
Garner was copyrighted in 1904, and the present edition is dated 1999. I can honestly say I can see why it has endured.
The book is superb research. The author has created a masterful portrait of his subject using primary sources taken from documents, paintings, letters and
diaries of the time, identifying the sources and their (then) location. Furthermore, he quotes the sources extensively when doing so furthers the story and
includes the Latin or Italian version in footnotes should the reader wish to verify his translation. The author covers the Borgia saga far more thoroughly than
many modern biographical works are inclined to do. The fortunes of Lucretia's ancestors, her contemporaries and her descendants are covered, and though
at times confusing, the fortunes of many of the other players on the political scene of her time and place.
A colorful recreation of Lucretia's world, through first hand descriptions of the Vatican, of Papal Rome, of courtly processions, personal finery, and the
entertainment, arts and literature of the time, immerse the reader in the reality of the Renaissance during the Papal period of Alexander VI. It also reveals a
world in transition, where the papacy itself has become secularized and is part of a larger chess game among world powers. Ferdinand and Isabella of Spain
and Henry VII of England are among the more generally recognizable of the participants. The story is also an intimate drama of sorts, with intrigue, sudden
death, battles won or lost, children's futures determined by political agendas, family loyalties, and personal passions.
The work reads rapidly, does not have that archaic flowery style that makes other authors of the period so difficult to get used to, is well researched, and
except for the obvious limitations of 19th Century perspective--alot has happened since 1874--is still worth reading. In fact, unless one makes a concerted
effort to recall it, one is inclined to think in terms of a modern day work. It is only when a building is quoted as "still standing" or a document "still exists" in
someone's library, that one wonders, "Is/does it?" The author is also inclined to see his own time as "above it all," less ruthless, less malleable with respect
to ethics and morals. He may be right, although I doubt it. History has not had the last say about the 19th Century either.
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Tags : Lucretia Borgia [D. Appleton and Company, Ferdinand Gregorovius, John Leslietr Garner] on Amazon.com. *FREE* shipping on qualifying offers. This book an EXACT reproduction of the original book published before 1923. This IS NOT an OCR?d book with strange characters,D. Appleton and Company, Ferdinand Gregorovius, John Leslietr Garner,Lucretia Borgia,BiblioBazaar,1140353624,HISTORY General,History
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Lucretia Borgia D Appleton and Company Ferdinand Gregorovius John Leslietr Garner 9781140353621 Books Reviews
Talk about going back in time. Great reading. Couldn't put it down.
I was really looking forward to reading about Lucretia Borgia's life. The book was written like a history book, not like a novel or a historical biography. I actually could not finish the book, I just cannot get into it. I kept trying hoping that the author was just giving you a background but no, sorry to say. It was actually very confusing with the way all of the historical references were written into the book, at least the part I could get through.
I enjoyed reading about the exciting life of a pope's illegitimate daughter. There were many horrific twists and turns in her life.
A decent story
The author was a well known scholar in his time. Although this book is over 100 years old, the quality of the research and the nuanced analysis meet the highest modern standards.
It is very detailed description of the life and times of Donna Lucrezia; perhaps too detailed to the point of confusing dates and protagonists; anyway is a vivid picture of the Italia of these times. I would counsel to get it and to keep for eventual consultations.
I really wanted to know more about Lucretia Borgia herself. This book was easy to read but there was too much information on each and every person in it. I kept thinking where is some more information on Lucretia Borgia. I felt like I was reading a history book on all of the people that she was associated with. I ended up skimming pages just looking for Lucretia's name. It would be a good history book of the times around Lucretia Borgia but as a biography I was really disappointed.
Years ago I saw a series on Cesare Borgia that intrigued me greatly. The pomp and pageantry, the dissolute state of the papacy, the treachery and violence
of the time and the political intrigues arising from diverse interests attempting to unite various parts of the post classical world into some semblance of a nation
made for exciting entertainment. Among all of the players the only one whose name was well known to me, as probably to others, was that of Lucretia Borgia,
the famous "poisoner." A more recent television program, however, provided me with more information on this lady, and I discovered to my surprise that what
little I thought I knew about her was actually more myth than reality. It is often said that it is to the victors the privilege of writing history is given, and it was
obviously to the enemies of the Borgias that the privilege of writing Italian Renaissance history was given. Lucretia did not come out of it unscathed. Since
seeing this last production, I have looked for books about the Borgias, particularly Lucretia, but had not found one until Ferdinand Gregorovius' volume. The
book is old--the dedication was dictated March 9, 1874--but has apparently stood the test of time, as the first English publication by translator John Leslie
Garner was copyrighted in 1904, and the present edition is dated 1999. I can honestly say I can see why it has endured.
The book is superb research. The author has created a masterful portrait of his subject using primary sources taken from documents, paintings, letters and
diaries of the time, identifying the sources and their (then) location. Furthermore, he quotes the sources extensively when doing so furthers the story and
includes the Latin or Italian version in footnotes should the reader wish to verify his translation. The author covers the Borgia saga far more thoroughly than
many modern biographical works are inclined to do. The fortunes of Lucretia's ancestors, her contemporaries and her descendants are covered, and though
at times confusing, the fortunes of many of the other players on the political scene of her time and place.
A colorful recreation of Lucretia's world, through first hand descriptions of the Vatican, of Papal Rome, of courtly processions, personal finery, and the
entertainment, arts and literature of the time, immerse the reader in the reality of the Renaissance during the Papal period of Alexander VI. It also reveals a
world in transition, where the papacy itself has become secularized and is part of a larger chess game among world powers. Ferdinand and Isabella of Spain
and Henry VII of England are among the more generally recognizable of the participants. The story is also an intimate drama of sorts, with intrigue, sudden
death, battles won or lost, children's futures determined by political agendas, family loyalties, and personal passions.
The work reads rapidly, does not have that archaic flowery style that makes other authors of the period so difficult to get used to, is well researched, and
except for the obvious limitations of 19th Century perspective--alot has happened since 1874--is still worth reading. In fact, unless one makes a concerted
effort to recall it, one is inclined to think in terms of a modern day work. It is only when a building is quoted as "still standing" or a document "still exists" in
someone's library, that one wonders, "Is/does it?" The author is also inclined to see his own time as "above it all," less ruthless, less malleable with respect
to ethics and morals. He may be right, although I doubt it. History has not had the last say about the 19th Century either.
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